在电影中有这么一种拍摄手法，叫做“伪纪录片”。简单来说，就是电影中的主人公手持DV，将拍摄到的画面呈现给观众，就像是在真实的记录着发生的事。
而这种拍摄手法，在恐怖片中尤为成功。伪纪录片以其强烈的真实感及现场感，能够不断刺激观众的好奇心，既害怕又上瘾地感受着晃动不安的镜头及未知的恐惧！
那么，电影君就给大家推荐几部最真实的恐怖电影，看完之后相信你会从脚底升起一股刺骨的寒意！
第六名：《夺命金字塔》 恐怖指数：★★★
推荐理由：金字塔本来就流传着各种诡异的传说，在黑暗狭小的地下世界，镜头带着我们将未知的恐惧一幕幕展开。当最后的恶魔出现的时候，仿佛它就在你的耳边，张开血腥的大嘴，一点一点将你吞噬！
第五名：《科洛弗档案》 恐怖指数：★★★
推荐理由：Party过后，终究要迎来黑暗。仿佛世界末日来临，城市被毁灭，人类被吞食，可怕的是人们无法知道这到底是谁的阴谋。当罪魁祸首露出狰狞面容的那一刻，世界静止，心跳静止，只有一路狂奔，逃出这个恶魔之地！
第四名：《鬼影实录》 恐怖指数：★★★☆
推荐理由：恐怖总是随着夜晚来临。突然打开的门，狂吠不止的小狗，宝宝的哭喊声。可是到了白天却又归于平静！当晚上架上DV录像的那一刻，恐惧如潮水般袭来！胆小的千万别一个人在晚上看哦，否则你会发现黑暗中总有东西在盯着你！
第三名：《布莱尔女巫》 恐怖指数：★★★★
推荐理由：三个大学生进入诡异的森林探寻传说中的女巫，结果全部失踪！多年之后在一个废弃的小屋，发现了一卷录像带，记录的就是他们的恐怖经历。这是最早成功的伪纪录片式恐怖片，具有开创性地位。
第二名：《死亡录像》 恐怖指数：★★★★★
推荐理由：女记者采访消防队，结果遇到突发事件，一同去现场。在一栋被隔离的大楼，接连发生了异常诡异的事。影片的高潮再最后的7分钟左右的夜视镜头，紧张刺激，惊悚窒息，害怕的连心都快跳了出来，相信看过的一定都忘不了！
第一名：《灵异咒》 恐怖指数：★★★★★
推荐理由：电影君看过最真实的一部恐怖片，据说导演在拍完这部电影之后，太太被烧死，全家下落不明。而且因为影片内容过于震撼，久久不能发行，过了好久才出现在大众视野。还记得当年电影君是在网吧看的，那么热闹的网吧看完之后还是觉得一身寒意！必须推荐！
② 介绍最恐怖的影片!
欧美恐怖电影百强
1． 活跳尸（Re-Animator）：制片人布里安.尤兹纳，导演斯图尔特.戈登。
2． 活跳尸（二）：导演布里安.尤兹纳。
3． 活魔人（From Beyond 1986）：导演布里安.尤兹纳。
4． 养鬼吃人（系列）：迄今已拍7集，以一、二、三集最有价值。一、二集导克里夫.贝克。
5． 群尸玩过界：导演彼得.杰克逊，这是他才华尽显的成功之作（他就是《魔戒3之王者归来》的导演）。
6． 德州链锯杀人狂（系列）：托比.胡伯的成功之作，该系列共四集，后三集具有一定价值。
7． 幽浮魔点：查克.拉塞尔的早期名作，1988年公映，对50年代旧作的翻拍。
8． 鬼驱人（系列）：托比.胡伯与斯匹尔伯格打造的名作。后又续出两集。
9． 美国人狼在伦敦：又称鬼追人、人狼咬哗鬼，人狼题材中的经典，悲剧。
10． 猛鬼街（系列）：名导韦斯.卡拉文的惊世之作，以一、二、三集最好，四、五、六、七集虽逊色，但绝对值得全部收齐。而且几个名导均涉入其中，该系列片成了他们在恐怖片领域的演军之所，如查克.拉塞尔（三集）、雷尼.哈林（四集）、史蒂芬.霍普金斯（五集）。
11． 黑色星期五（系列）:迄今共十集，该系列片仁者见仁，智者见智，毁誉参半。该片也译为《太凶杀人狂》。
12． 月光光心慌慌（系列）：迄今共八集，名导约翰.卡朋特是始作俑者。它潜移默化影响了一批以凶杀案为主题的恐怖片。
13． 闪灵：库导的大作，不收遗憾终生！！！！！
14． 梦幻杀人档案：克里夫.贝克风格的作品。
15． 驱魔人（系列）：共三集，第一集绝对经典！宗教色彩浓厚，二、三集价值不大。
16． 人狼（系列）：八十年代的人狼系列片，是人狼类恐怖片的全面教材之作。共六集。
17． 哗鬼番生（系列）：又叫灵魔翻生、生人回避。活死人题材的经典，比乔治.罗梅罗的僵尸电 影要活泼得多，共三集，一、二集强调特技，第三集由布里安.尤兹纳执导，特技+情感，还感动了不少人！
18． 差品味：彼得.杰克逊的作品。
19． 烈血海底城：属于变异生物类的恐怖片。第一滴血续集的导演乔治.卡斯梅托的作品。
20． 地狱之城：意大利导演Lucio Fulci之作，该导演特色有二：故事发生地总在外国，以美国居多；有刺激人消化道之作用！
21． The beyond:译名不详，前述导演的作品。
22． 僵尸（系列）：原名ZOMBIE,共四集。Lucio Fulci是始作俑者，第一集最为经典。
23． 丧尸出笼:乔治.罗梅罗的作品，此君的电影适合给Micheal Jackson作MTV背景用。 该片一度被奸商作为电影版的《生化危机》出售。
24． 死亡的黎明：乔治.罗梅罗的另一代表作。
25． 恶夜僵尸：乔治.罗梅罗僵尸电影的得意之作，1968、1990共拍了两次。
26． 天魔回魂：约翰.卡朋特的宗教类恐怖片，观众需要知道一些基督教内容，是一部在科学与宗教中作妥协的产物，符合八十年代的科学宗教之风。
27． 变种夜魔：克里夫.贝克的作品，名导大卫.克罗南伯格在片中饰一杀人犯。
28． 撒旦回归（系列）：共三集，也是宗教类恐怖片。
29． 鬼娃回魂：鬼娃新娘共四集。颇具特色，独树一帜，确立了一种以玩具为主角的恐怖片类型，开创了此类低成本片的先河，有一批追捧者。一、二集最好！尤其是第二集！特技+情节不错！
30. 恶魔玩具：鬼娃回魂的成功仿制品。
31． 突变第三型：80年代至今，是未知生物、外星生物（异形）的风摩期，约翰.卡朋特的这一作品较好地赶上这一潮流。
32． 穿梭猛鬼城（系列）：宗教类恐怖片。
33． 闯错鬼门关（系列）：即children of the corn,邪 教题材恐怖片。
34． 试管人魔：与“苍蝇"要反映的主题类似，人类永远不要充当上帝的角色，否则只能作孽！
35． 异形怪体：经典片，多次重拍，最近一次是1993年，导演斯图尔特.戈登。
36． 夜夜破胆：布里安.尤兹纳95年的宗教类恐怖片。
37． 魔鬼牙医（系列）：布里安.尤兹纳作品，心理扭曲的世界的真实反映，两集。
38． 夺命凶眼（系列）：大卫.克里罗南伯格开的头。共三集。
39． 食人族:属人类学题材的恐怖片，真实性不容置疑。另一部叫 Eaten Alive 也属于此类。
40． 蚂蚁帝国（食人蚁）：属于自然类或生物学类题材恐怖片，十分真实！
41． 惊异大魔茧（食人巨蚊）：生物学类题材的夸张，看起来像几亿年前一米多长的古蜻蜓。
42． 蛞蝓之灾：生物学类题材恐怖片。
43． 种子人魔：类似“异形怪体"。
44． 变种DNA（系列）：生物学类题材恐怖片的又一夸张之作。共三集。
45． 破茧天魔（系列）：共四集，韦斯.卡拉文始作俑。
46． 杀出个黎明（系列）：共三集，塔伦蒂诺的鬼才之作！酷到极点！
47． 夜半鬼敲门（系列）：共二集。史蒂芬.金的作品。
48． 舐血夜魔：史蒂芬.金的悲剧恐怖片，主题曲是ENYA的作品，回味无穷！！！
49． 丧尸特警：活死人题材的佳作。
50． 变形战士：擦“异形"边的仿制品，枪战场面不少。
51． 蛇妖：白面小生休.格兰特的作品，英伦风味重。
52． 从死亡归来（BACK FROM THE DEAD）:与《群尸玩过界》类似，绝对刺激视觉与心理防线！
53． 人玩鬼（系列）：又译《尸变》，影片中描述了尸体腐烂的千变万化，即恶心又恐怖。共三集。
54． 割人狂医：与“魔鬼牙医"一个类型。
55． 狂犬病：大卫.克罗南伯格的作品。
56． 变种血魔：布里安.尤兹纳的作品，生物类题材。
57． 恐怖南瓜头（系列）：美国地域式的恐怖片，共四集。
58． 曼哈顿的婴儿：Lucio Fulci的作品。
59． 守墓屋：Lucio Fulci的作品，意大利式僵尸。
60． 变种女郎：一部优秀的人狼题材作品。
61． 杀手的肖像（系列）：共二集。**杀人的真实描写！实在是杀人不眨眼！！！
62． 活死人的孩子：最新的活死人电影！
63． 血腥圣诞夜（系列）：又称超魔空间，邪 教题材恐怖片，共四集。
64． C、H、U、D（系列）：纽约地下生存的变异生物杀人的故事。
65． 蜘蛛岛：布里安.尤兹纳2001年的作品。
66． 食人巨鳄（系列）：共三集。自然类恐怖片。
67． 小强风暴：原称they nest ，自然类恐怖片。
68． 蝙蝠：自然类恐怖片。
69． 梯下亡魂：精神不正常的人离远些为妙！此片是警示。韦斯.卡拉文的作品。
70． 铁血人狼：另类人狼的作品。
71． 神鬼大反扑：韦斯.卡拉文的吸血鬼题材作品，不错！不拖泥带水。
72． 墓穴怪谈（系列）:该系列电影每一集均由二、三个独立小故事组成，题材广泛。其中有一集是施瓦辛格任导演。
73． 猛鼠食人城：生物变异的题材。
74． 猛鬼屋逐个捉：50年代老片重拍。泽梅基斯任制片人，可见此片重要性。
75． 鬼入侵（The Haunting）:与《猛鬼屋逐个捉》题材相同。音效优异。又称“鬼屋凶灵"。
76． 瘦到死：史蒂芬.金的作品。
77． 深海狂鲨：生物变异的题材。雷尼.哈林的作品。
78． 魔鬼医院：**医生用活人作试验的恐怖故事。
79． 看夜更：丹麦的一部冲入美国市场较为成功的恐怖片。
80． 魔女佳丽（系列）:共两集，人体特异功能式的恐怖片，复仇至上。
81． 血尸夜/恶夜之吻（黑夜临近）：比尔.派克斯顿演的一部僵尸类恐怖片，人物刻划得不错。
82． 隔离屋有鬼：80年代的片子，属于“小魔怪"式的恐怖片。
83． 我知道你去年夏天干了什么（系列）:两集。《月光光心慌慌》的追捧作。
84． 夺命狂呼(系列)：三集。又译《惊声尖叫》。第一集最好。
85． 猛鬼学校（大学舞会之夜）：四集。英文名：Prom Night 。80年代的作品，类似魔女佳丽。
86． 大白鲨：共四集。斯皮尔伯格始作俑。第一集不错，二、三也可。
87． 凶兆：共四集。类似大法师，宗教气氛弥漫。
88． 行尸女郎：Living Dead Girl。活死人题材。
89． 深海异形：自然类题材恐怖片。
90． 不可思议的勾魂事件：彼得.杰克逊到美国后的第一部作品，有些喜剧色彩。
91． 巫毒教：神秘邪 教使死人复活的题材。
92． 禁入魔镜(系列)：共三集。
93． 捉妖小天师：少年儿童也能驱除邪怪。影片里出现了弗兰肯人狼、CHUD、木乃伊，吸血鬼等鬼怪。
惊心食人族：另类宗教题材。
口出狂言：约翰.卡朋特的作品。又称战悚黑洞。
巨蛙：自然类题材。 ． 巨蛙镇：变异人统治未来的题材。
凶雾杀机：复仇/复仇……卡朋特的作品。
X你老墓（系列）：两集。有点色情，妇女受害复仇，可以理解。
追命传说（系列）：三集。自然+宗教类题材 A Film by Carroll McKane 太多了LZ自己去找吧＾＾
③ 恐怖片的英文翻译
fright flick就是“恐怖片”，也可以用horror film/movie类表示。Fright一词大家很熟悉，是“惊吓、恐怖”的意思。Flick是口语，意思是“电影，影片”。例如：action flick（动作片），play a role in the flick（在电影中扮演一个角色）。The flicks则是电影的总称，有时也指“电影院”。例如：What’s on at the flicks tonight?（今晚电影院放映什么影片？）又如：Fancy a night at the flicks?（晚上想去看电影吗？）
Fl还可以和其他词相组合，表示各种类型的影片。例如“喜剧片”是comic flick，“科幻片”是science fiction flick。Chick flick则是针对女性观众的浪漫喜剧或文艺爱情片。
④ 我最喜欢的电影种类是恐怖片用英语怎么说
My favorite kind of movie is dracula movie .
The kind of movie which I love most is dracula movie .
The dracula movie is the right style I love most.
后个是用定语从句的表述
⑤ 初一英语; 根据提示翻译下列句子。 1、我认为恐怖片很可怕。 2、我的爸爸很风趣，他喜欢有趣的喜剧片。
1.I think horror films are terrible,
2.My father is humorous,he likes funny comedy.
3.Action movie makes people exciting, but this film is too sad.
4.What do you learn about English?
5.The film which I like best is Rush Hour.
6.Tom and his father are going to watch documentary.
7.What are you doing on the weekend?
8.That film is too boring,I don't like it,
9.Ziyi Zhang is a successful actress.
1.too
2.either
3.too
⑥ 有关恐怖电影的英语作文 也要汉语翻译
Firstly, let's go back some 45 years to 1968 to a black-and-white film, loosely based on the sci-fi novel "I Am Legend". A brother and sister travel to the countryside to visit their father's grave. After a series of bizarre attacks, the sister takes shelter in a farmhouse which is soon surrounded by the reanimated dead, or zombies as they were later known. George A. Romero's film "Night of the Living Dead" was initially controversial, too gruesome, then lauded as a success and social commentary. And the director went on to make it a series of six each nodding to contemporary concerns, big consumerism or economic division. Horror to me was always, an author of somehow upsetting the applecart of life. And it seemed to me that at the end, people always set it upright again. And we didn't wanna do that. We wanna just sort of leave it upset. So the events in "Night of the Living Dead" in fact are tragic events. And it's all about misunderstanding and people who behave stupidly, and faced with something that's really could be disastrous. The dead are coming back to life, all over the world. And what I wanted to say is that they all just concerned about their own little petty interests, instead of dealing with the problem.
首先，让我们回到45年前的1968年。这部电影由名为《我是传奇》的科幻小说改编而成，故事一对兄妹来到乡下给父亲扫墓，却遭受一系列怪异的袭击。之后，妹妹躲进了一间农舍避难，但很快房子就被一群活死人（后被称作僵尸）包围。乔治·A·罗梅罗的影片《活死人之夜》 在上映之初因其恐怖的场面饱受非议，后来被视为一部成功的影片，是对社会的批判。接着，这位导演继续创作了这一系列电影的另外五部，均反映了当代社会人们的担忧、消费主义或经济分工问题。 对于我而言，恐惧是打乱生活安排的始作俑者。我觉得，到最后人们总是能自我恢复，但我们并不想这样，我们想让这种不安感延续下去。因此，《活死人之夜》其实是一部悲剧。整部影片充斥着误解，以及面对灾难做出愚蠢行为的人。全世界的死人都活过来了。他们根本没有想办法去解决问题，反而只关心自己鸡毛蒜皮的小事。
⑦ 恐怖电影的英文影评
以下是以下是 电影十三度凶间的影评 担不是纯恐怖片The following are among the film 13 degrees fierce critics fear is not a pure horror film
We exist because we think we exist. We manipulated the dolls have fun in the play, but I do not know whether someone is manipulating us, while we know nothing about. "Matrix" of creativity has been recognized as derived from the film . "13 degrees between fierce," from the outset, the viewer's heart closely, who killed Fuller? Douglas? As they like, a chain, they have created a virtual world, can Who would have thought the game itself is someone else's doll, his cruise in the virtual world, but manipulated by others are unsure. When one day we discovered the truth, we will not fear ... ... the film set suspense, science fiction, murder in one, while infiltration of the reality of human living space and virtual thinking is absolutely unique Feature Movies. This is a large list 罗兰艾默里克 (Roland Emmerich) making science fiction films, and he directed most of the science fiction film than (Godzilla, what the day after tomorrow), this is one of the most content Department, and most not in effect as the main selling point of the film, said that box office was not successful, but still can not deny the participation of top stars is unsuccessful film, after all, in thinking of those who have gone beyond the director of the explosion of his own m spent a science fiction
This is a self-al awareness regarding human to explore the deep meaning of human existence, science fiction movies, including some of the characteristics of the thriller.
Film began as two lines of subtitles:
"I think, therefore I am.
Reno Descartes 1596-1960 "
Want to come we all know this is a French mathematician and philosopher Descartes's philosophy: "I think therefore I am." This is the story have to say.
Story began in the United States thirty or forty years, an old gentleman wrote a letter, found some things that may lead to fatal disaster, the letter he left a bar bartender, told the bartender Members will have a named person will come to gain the trust of Douglas, then a strange thing happened, the old gentleman had just experienced a similar virtual reality travel in general, return to the reality of 90 years, then suddenly the old gentleman kill, and all the suspects are concentrated in the old gentleman's study
Partners who Douglas.
They are building the virtual world has tens of thousands of independent record of the character most people as real people, in Douglas returned to the system in the old gentleman wanted to be left in the letter, to serve their own cleared when charges, but also found incredible things, bartender secretly open the letter of the old gentleman found his own is the virtual world of virtual characters, although very full and rich emotional life, but he, like other virtual characters, but a bunch of circuits and electronic signals. He was outraged.
The situation continues developing, Douglas found himself in the world is a virtual world, a virtual world technologies to develop their own virtual world only. Even worse, Douglas, and one from the creator of his world's woman of the world fell in love ... ...
I would like everyone reading this is not the film will not help but suspect that our world will not only intelligent beings of some kind of plaything and no more?
But if that is the case, what relationship? If our creator did not come to disturb us, we still had the same crash and lives above the Creator if we can imagine his ability to interfere in our civilization, we can think of some supernatural phenomenon, but Bale . Some day, God fed up to unplug the computer, and I think this is the end of our universe. 我们在操纵着玩偶尽兴的玩乐，却不知是否有人在操纵着我们，而我们却一无所知。《黑客帝国》的创意已经公认是从本片抄袭而得。《十三度凶间》从一开始就紧扣观者的心，谁杀了富勒？道格拉斯？像又不像，环环相扣，自己创造了一个虚拟世界，可谁又想得到，自己却是别人游戏里的玩偶，自己在虚拟世界中游弋，却又被别人操纵着却茫然不知。当有一天我们发现了真相，我们会不会恐惧……本片集悬念、科幻、凶杀于一体，同时渗透对人类生存空间的现实与虚拟的思考，绝对是难得的佳片。 这是一部大片导演罗兰·艾默里克（Roland Emmerich）制做的科幻片，和他导演的大部分科幻片相比（哥斯拉、后天什么的），这部是最有内涵的一部，也是最不以特效为主要卖点的片子，据说票房并不成功，但是仍然不能说没有大牌明星的参与就是不成功的片子，毕竟来说，在思想方面者已经超越了他自己导演的爆米花科幻了
这是一部涉及人类自偶意识，探讨人类存在意义的有深度的科幻电影，其中也包括了一些惊悚片的特征。
电影开始是两行字幕：
“I think, therefore I am.
Reno Descartes 1596-1960”
想来大家都知道这是法国数学家，哲学家笛卡尔的哲学观点：“ 我思故我在”。 这正是这个故事所要说的。
故事开始于三四十年代的美国，一个年老的绅士写了一封信，说发现了一些事，可能会招致杀身之祸，他将信留给了一个酒吧的调酒员，告诉调酒员会有一个叫道格拉斯的人会来取信，后来就发生了奇怪的事情，原来老绅士只不过是经历了一场类似虚拟现实一般的旅行，回到现实的90年代，接着，老绅士突然被杀，而所有的嫌疑都集中在老绅士的研究
伙伴道格拉斯身上。
他们所建造的虚拟世界拥有数以万记的性格独立的如同真实人物一般的人，在道格拉斯回到系统中想要得到老绅士留的信，来为自己洗脱罪名的时候，又发现了不可思议的事，调酒员私自拆开了老绅士的信，发现了自己其实是虚拟世界中的虚拟人物，虽然有非常充实的生活和丰富的情感，但他和其他虚拟人物一样，只是一堆电路和电子信号。他被激怒了。
事态继续发展着，道格拉斯发现自己的世界也是一个虚拟世界，一个自己发展出虚拟世界技术的虚拟世界而已。更要命的是，道格拉斯和一个来自他的世界的创造者的世界的女子相爱了……
我想每一个人看完这不电影，都会情不自禁地怀疑我们的世界会不会也只是某种智慧生物的玩物而已呢？
但如果是这样的话，又有什么关系呢？如果我们的创造者不来打搅我们，我们还是一样过偶们的生活，造物主如果以他的凌驾于我们所能想象的能力来干涉我们文明进程，我们所能想到的不过是一些超自然的现象罢了。有那么一天，造物主厌烦了，把计算机的插头拔掉了，我想这就是我们宇宙的终点了。
我们存在的因为我们认为我们存在。 咒怨影评Grudge film critic
"Grudge" is the Hanyuan who died under the curse, who were doomed to touch, and create new "Grudge" will continue to spread terror death. Tokyo suburbs have a ghastly ghost house, visiting strange Each will be killed or mysteriously disappeared, the legendary owner of a sudden frenzy of big big hair and chopped his wife before committing suicide, 6-year-old son, and never missing, still missing. House of the resentment within the cupola, terrorist emblem set Ken Sui? Visitors. Best female university physiology (Austrian dishes decorated benefits) e to volunteer accidentally entered within a large house, they discovered a mysterious strange boy suddenly appeared but then disappeared. At this point, good start to experience strange reason, everyone around him has also been implicated in the tragic death of more than one by one, the terrorist thing after another, and endless ... ...
Adds the new Japanese family members of terror
Japanese horror cinema in Asia are still to world cinema occupies an important position, "The Ring" and other classic horror films are branded with the Japanese national character inherent in the film. It is this distinctive national characteristics, and it has long been the de facto mode of movement to maintain a considerable distance. The most significant is that it is not Hollywood movies shown over-reliance on technology, but also not easy to film to achieve the goal of easy to understand way of deliberately seeking concise narrative flow, instead, it uses a relatively primitive film language unique to the Japanese film culture, steady and cool to describe the occurrence of ghost stories. Outstanding performance of artistic conception of the building, suspense, foreshadowing, the audience throughout the story are being led by the nose, with the plot development, psychological tension graally increased, unable to stop. Sadako ("The Ring"), Tomie ("Tomie") and other screen images have madness in Asia, make the audience frightened also surprised. "The Grudge" will be in Japan soon as he painted a large high-profile and reputation on the subject as quickly as they spread terror nationwide, the skin was gray stone, with two empty Sadako boys become the classic horror image after another.
"The Grudge" in the Hollywood screening of a large number of film companies have won the favor, "Spider-Man" director Sen. Remy is claimed that: "I have never seen such a horror movie! Shimizu's horror is not too aggressive Sung, and his unique style of exception; the Hollywood horror film has never reached the level of such state, terrorist Jingxia De viewers no breathing space. "
Shimizu Chong horror film new directors
Shimizu Sung was born in 1972 in Japan, Kinki University, majoring in drama and the arts after graation went to Kyoto alone in the theater as part-time, began writing their own script. , He continued to participate in a number of independent films and theater work. In 1995, his play "sleeping man" when the clothing assistant. He then moved to Tokyo to work as a number of television and video proction freelance assistant director. In 1997 he became assistant director ring the first class admitted to the Tokyo Film School. In 1998 graated from a three-minute video, brought him a golden opportunity, in "The Ring" screenwriter Takahashi foreign and "provoke a ghost loop," the director Blackpool clear height of referrals, he is involved in terrorist Kansai TV play " strange school on G ", fame.
In 1999, Shimizu haunting Video Edition to create two "Grudge" and "The Grudge 2" and popular in Japan released a video released just sold, Who knows just introced in Japan had been startled audience, horror stories of the extent caused by temporary , while the national hot even been highly praised. Chong for clean water, "The Ring" in the Tian Xiufu Japanese horror master evaluation is: "water people I know worship is one of the most stringent, especially for himself. When I saw him on television virgin works it was that piece of the atmosphere of terror and scare scenarios and a unique ending big surprise, he is definitely a master of Japanese horror film. "